I've published 11 books, and that's actually how I make my living these days. My older books are on entrepreneurship and related topics, while my later work is narrative nonfiction (travel-based tales from my lifestyle on the road) and, more recently, speculative science fiction.
I've played in the completely self-controlled arena and more mainstream platforms (Amazon, Kobo, etc), and am happy to answer any questions you might have :)
Broad advice: Think very carefully about what you hope to achieve with your book. If you want to build a brand/platform/business/audience long-term, put out some free work to start, and show people what you're capable of. If you're looking to make a living from this book, publish some smaller works (blogs or short ebooks) first, to give people that sample, and build up a small list.
Treat your readers with respect, but don't take all advice given (filter!). Don't over-advertise. Do your best to incentivize sharing of your message and work without straying into over-marketing territory.
Recognize that you'll make a lot more money publishing yourself (through something like Gumroad or e-junkie), but you can get more organic traffic through a platform like Amazon (and there are MANY pros and cons to both paths). Also recognize that you can play in both arenas: use Amazon to gain new readers, and have other work available outside their ecosystem.
Remember, too, that there are still things that Big Six publishers (and their smaller, traditional publishing counterparts) do really well, and ideally indie authors don't see the publishing world as 'us' and 'them' — just two sides of the same coin. You can build up a library of work that you indie publish, and then seek a traditional contract and have more control over the process (having an existing audience to leverage), and the negotiations (they provide prestige that can get you in places that are otherwise difficult to get your book, like airport bookstores, and PR materials that can help you get on talk shows and such — some people still won't consider you a pro author until you've got a Penguin or HarperCollins logo on the spine of something you've written).
(Also: Consider the phrase 'indie published' over 'self published,' as the latter tends to imply the equivalent of a garage band, while the former implies something more akin to indie films or indie music — personal preference, but something to note when you're telling people how your book is published).
Again, happy to expand on any of this if you want to reply here, or shoot me an email — colin at exilelifestyle dot com
You can start making moves at even 100, so long as the people on the list are into you and what you're doing (rather than fly-by-night joiners, or people bribed into joining your list).
But 500 is great (with that same kind of audience), and by the time you get up to a few thousand really engaged, interested readers, you're set. You may not make a livable wage right away, but you'll be making SOMETHING, and from there all you have to do is keep doing good work and publishing it (and as you build a back catalog, each new release can lead to a big boost in sales of your past work, as well).
I've played in the completely self-controlled arena and more mainstream platforms (Amazon, Kobo, etc), and am happy to answer any questions you might have :)
Broad advice: Think very carefully about what you hope to achieve with your book. If you want to build a brand/platform/business/audience long-term, put out some free work to start, and show people what you're capable of. If you're looking to make a living from this book, publish some smaller works (blogs or short ebooks) first, to give people that sample, and build up a small list.
Treat your readers with respect, but don't take all advice given (filter!). Don't over-advertise. Do your best to incentivize sharing of your message and work without straying into over-marketing territory.
Recognize that you'll make a lot more money publishing yourself (through something like Gumroad or e-junkie), but you can get more organic traffic through a platform like Amazon (and there are MANY pros and cons to both paths). Also recognize that you can play in both arenas: use Amazon to gain new readers, and have other work available outside their ecosystem.
Remember, too, that there are still things that Big Six publishers (and their smaller, traditional publishing counterparts) do really well, and ideally indie authors don't see the publishing world as 'us' and 'them' — just two sides of the same coin. You can build up a library of work that you indie publish, and then seek a traditional contract and have more control over the process (having an existing audience to leverage), and the negotiations (they provide prestige that can get you in places that are otherwise difficult to get your book, like airport bookstores, and PR materials that can help you get on talk shows and such — some people still won't consider you a pro author until you've got a Penguin or HarperCollins logo on the spine of something you've written).
(Also: Consider the phrase 'indie published' over 'self published,' as the latter tends to imply the equivalent of a garage band, while the former implies something more akin to indie films or indie music — personal preference, but something to note when you're telling people how your book is published).
Again, happy to expand on any of this if you want to reply here, or shoot me an email — colin at exilelifestyle dot com
Best of luck whichever path you end up taking!